Subverted 19th Century Traditional Social Mores and Norms...

ENG 200 Subverted 19th Century Traditional Social Mores and Norms in Dracula Bram Stoker’s Dracula remains one of the more recognizable novels of its genre despite being published in 1897. A classic horror story which has been retold and produced over and over again since its original publication, Dracula was especially disturbing when it originally was released because of how Stoker attacks Victorian era social mores and norms throughout the entire novel. Stoker subverts traditional 19th Century social mores and norms in Dracula through the portrayal of sexually aggressive and assertive females, Jonathan and Mina’s relationship, and the inverse of Maternity. One of the first examples of Stoker’s subverting of traditional social†¦show more content†¦That is not the only example of gender reversal in Dracula, at one point Jonathan becomes faint in public and to keep him from falling Mina supports him. It would have been considered very odd to see a woman in public supporting a man like this. Stoker uses Mina and Jonathan’s relationship as another subversion of 19th century traditional social mores and norms in Dracula. Perhaps the most disturbing aspect of Stoker’s Dracula is the inverse of maternity. The inverse of maternity represents an almost perfect subversion of traditional 19th century social mores and norms. Craft also wrote is his reflection, â€Å"Stoker emphasizes the monstrosity implicit in such abrogation of gender codes by inverting a favorite Victorian maternal function,† (Stoker, Auerbach, and Skal 453). Maternity hasn’t changed much sense the 19th century, women are expected to care for the children above all other responsibilities. Needless to say the feeding on defenseless children by Lucy and Dracula’s Wives is a complete opposite of maternity. The feasting on children is particular disturbing and shocking no matter what era one is born in and represents what is a predominate th eme in Dracula the inverse of Maternity. Another example of the inverse of Maternity is the scene in which Dracula cuts his own breast and forces Mina to drink from his wound. Craft writes, â€Å"We are at the Count’s breast, encouraged once again